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The passing of Kwame Brathwaite, the legendary activist and photographer who played a pivotal role in shaping the “Black is Beautiful” movement in the 1960s and beyond, has left a void. His iconic work has drawn renewed interest from historians, curators, and collectors in recent years, culminating in a major retrospective organized by the Aperture Foundation.
Born to Barbadian immigrants in 1938, Brathwaite’s journey as a photographer began in the vibrant streets of New York. With a keen eye for capturing powerful narratives, Brathwaite’s work with a Hasselblad medium-format camera illuminated the jazz scene of the 1950s and 60s, immortalizing legends like Miles Davis and Thelonious Monk.
In the early 1960s, Brathwaite’s lens shifted to challenging prevailing beauty standards. Co-founding the African Jazz Arts Society and Studios (AJASS), he captured the strength and elegance of Black women through the Grandassa Models. His commitment to celebrating Black beauty and culture was unwavering, leaving an indelible mark on the industry.
Brathwaite’s versatility behind the camera extended to documenting music icons like Nina Simone and Bob Marley, highlighting their essence and impact. Embracing the “Black is Beautiful” ethos, Brathwaite continued to redefine visual storytelling, influencing generations of artists and enthusiasts alike.
Despite battling health issues in his later years, Brathwaite’s legacy endures through his groundbreaking work. His retrospective showcases the depth of his vision, inviting audiences to delve into the rich tapestry of his photographs at esteemed institutions across the country.
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